DITZ

Thu Apr 3 2025

7:00 PM

The Garage

20-22 Highbury Corner London N5 1RD

Under 16s with an adult

Ages 14+

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DHP Presents
DITZ

  • DITZ

    DITZ

    Noise Pop

    Never Exhale’ is the sound of a band that hasn’t stopped for a breath. DITZ have toured
    relentlessly since the release of their first album ‘The Great Regression’ and even before
    that, travelling at least 100 days a year since COVID. The songs that form their newest
    offering were written across Europe, often on off days and in borrowed rehearsal rooms just
    to break up the long drives.
    It could be said that the band treat recording and release of music as an afterthought. Often
    playing songs live years before their release, tweaking them as they go. The songs on the
    final record may change before they are ever heard as part of the album.
    ‘Never Exhale’ was largely recorded at Holy Mountain studios in London during a freezing
    cold January. The process was fraught with obstacles. The original plan, to go and record in
    Rhode Island, was abandoned when DITZ were offered a support tour with IDLES, although
    the album was still mixed by the originally intended engineer, Seth Manchester
    (Model/Actriz, Lingua Ignota, Big Brave). The result is an album hardened by the pressure of
    its own making. Laboured but not loved.
    The album themes reveal themselves more on further listens. The opening gambit ‘Taxi
    Man’ is an exploration into what it would be like to weigh up your impact of the world. The
    eponymous taxi man could be seen as a St Peter type figure, or like Charon, ferrying the
    dead into the underworld.
    Further on the album explores themes of unnecessary hatred and division, ‘Space/Smile’
    and ‘It smells like something died in here’, aging, ‘Senor Siniestro’ and the separation of the
    physical from reality, ‘The Body As A Structure’. It’s political, but ultimately personal. More
    Genet or Kafka than Orwell or Huxley.
    Sonically the album has its roots in the usual DITZ influences, classic noise rock such as
    The Jesus Lizard or Shellac, or the obtuse post punk of the Fall, but also brings in fresh
    influences. The closing track ‘Britney’ could be compared to Radiohead or Mogwai. Overall,
    the album is a clear development from their first effort. A sign of things to come.

Please correct the information below.

Select ticket quantity.

Select Tickets

limit 8 per person
General Admission

Price includes £1.00 venue levy

£20.00 (£16.50 + £3.50 Fees, excluding any delivery costs)

Delivery Method

eTickets
Box Office Collection

Terms & Conditions

This event is 14 and over. Any ticket holder unable to present valid identification indicating that they are at least 14 years of age will not be admitted to this event, and will not be eligible for a refund.

Under 16s must be accompanied by an adult
DHP Presents

DITZ

Thu Apr 3 2025 7:00 PM

The Garage London
DITZ

Under 16s with an adult Ages 14+

DITZ

DITZ

Noise Pop

Never Exhale’ is the sound of a band that hasn’t stopped for a breath. DITZ have toured
relentlessly since the release of their first album ‘The Great Regression’ and even before
that, travelling at least 100 days a year since COVID. The songs that form their newest
offering were written across Europe, often on off days and in borrowed rehearsal rooms just
to break up the long drives.
It could be said that the band treat recording and release of music as an afterthought. Often
playing songs live years before their release, tweaking them as they go. The songs on the
final record may change before they are ever heard as part of the album.
‘Never Exhale’ was largely recorded at Holy Mountain studios in London during a freezing
cold January. The process was fraught with obstacles. The original plan, to go and record in
Rhode Island, was abandoned when DITZ were offered a support tour with IDLES, although
the album was still mixed by the originally intended engineer, Seth Manchester
(Model/Actriz, Lingua Ignota, Big Brave). The result is an album hardened by the pressure of
its own making. Laboured but not loved.
The album themes reveal themselves more on further listens. The opening gambit ‘Taxi
Man’ is an exploration into what it would be like to weigh up your impact of the world. The
eponymous taxi man could be seen as a St Peter type figure, or like Charon, ferrying the
dead into the underworld.
Further on the album explores themes of unnecessary hatred and division, ‘Space/Smile’
and ‘It smells like something died in here’, aging, ‘Senor Siniestro’ and the separation of the
physical from reality, ‘The Body As A Structure’. It’s political, but ultimately personal. More
Genet or Kafka than Orwell or Huxley.
Sonically the album has its roots in the usual DITZ influences, classic noise rock such as
The Jesus Lizard or Shellac, or the obtuse post punk of the Fall, but also brings in fresh
influences. The closing track ‘Britney’ could be compared to Radiohead or Mogwai. Overall,
the album is a clear development from their first effort. A sign of things to come.

Please correct the information below.

Select ticket quantity.

Select Tickets

Ages 14+
limit 8 per person
General Admission
Price includes £1.00 venue levy
£20.00 (£16.50 + £3.50 Fees, excluding any delivery costs)

Delivery Method

eTickets
Box Office Collection

Terms & Conditions

This event is 14 and over. Any ticket holder unable to present valid identification indicating that they are at least 14 years of age will not be admitted to this event, and will not be eligible for a refund. Under 16s must be accompanied by an adult